2009 Oscar nominations: or "How I learned to stop talking about 'Avatar'"

Now that we’ve all seen ‘Avatar,’ I feel the need to get some ammount of closure on the collective doomsday opinion. So after much anticipation and a power outage prolonging this discussion, we start off with more “all tech and no story” discussions having finally taken it in. Then we move on to discuss the oscar nominations as they were announced a couple of weeks ago. What are we happy with? Surprised about? And what films got snubbed this year? Once the awards are given, we will continue this path of bringing justice to the world of cinema. We want to hear what you have to say about it so listen to the show and email us at doomsdaypodcast@gmail.com.

Click the player below to stream or if you want to download the episode you can do it on Podbean, at the iTunes store or on the Zune Marketplace. Don’t forget to leave feeback on these sites as well. Thanks.

Powered by Podbean.com

Cody's Film Review: The White Ribbon

Palm D' or winner and most likely Best Foreign Film Oscar winner is a haunting and beautiful film. It's the story of strange events in a small german village on the brink of WWI. The occurrences take a background to the town folk, which is what makes this film work. All of the characters are fascinating, and it's interesting to know that their way of life is about to be shattered and nothing will be the same with the coming war. This is a 2.5 hour movie and it held my interest throughout, but the viewer is robbed by the absence of an ending. *SPOILER* The strange occurrences are caused by the children of the town, which is no surprise while watching the film. As soon as the school teacher solves the mystery the movie wraps up and is over within minutes. As a viewer everything leads up to this and there is no payoff and you leave the theater without any real closure. I think this really hurts the film and it's what keeps it from being a great film. This is the first Michael Haneke film I have seen, and have heard that open endings and pessimism is his style, which usually annoy me. The White Ribbon is supposed to be his most positive film, and the naturalistic style of his actors makes this film creepy and realistic. Christian Berger's cinematography is beautiful, and has the look of a 60's Bergman film. I was surprised that it was shot in color then digitally altered to B/W. This film has a lot of brutality and tenderness and the characters are what make this film worth seeing. White Ribbon is a mystery that lacks a mystery, and it hurts the film as a whole. 3.5 stars out of 5

When Cameron was in 3-D Land...

Okay, so it’s the biggest movie in the history of movies, and yet the only constant thing I continue to hear from everyone (aside from how visually stunning it is) is that “you have to see it in 3D.” Fine, since it’s not going to be in an IMAX theater forever I might as well give in. But on the same note only 10% of the people that I’ve talked to tell me that it’s simply a good movie…probably because, simply it is not. What disturbs me about a movie like “Avatar” (without having seen it) is the obvious attempt by the filmmakers to assemble several popular socio-political themes and wrap it up in the biggest, shiniest technologically advanced package that money can buy thereby taking every calculated “lowest common denominator” elements of such films that do nothing more than draw a crowd. Now, I’m not saying everyone who likes this movie is an idiot. And yes, I understand that this is a business and I don’t have a problem with that either. I’m simply saying that when the world takes off it’s 3D glasses, they might not like what they see after all.

-Click the player below to hear this episode or go to http://Joker5k.podbean.com, or become a subscriber through iTunes. Email - doomsdaypodcast@gmail.com-

Powered by Podbean.com

Jeff's Top 10 List of 2009

10. FUNNY PEOPLE

It's long, it's sort of a mess, but, I found it hilarious and poignant. I know a couple of stand up comedians, and from getting to know them, I can honestly say this film encompasses how much pain, anger and sadness that one must go through to be funny.

9. MEDICINE FOR MELANCHOLY

It's a "walking around the city" drama about the 24 hours following a one night stand. A very engaging, very funny, very thoughtful film.

8. MOON

An old school intelligent science fiction film that's not about action and gadgets, but rather about character and emotion. Also, my film wet dream: Sam Rockwall is in every single scene.

7. BIG FAN

A bleak and funny character study with fucking Patton Oswald giving one of the best performances of the year. It accomplishes a rare feat in it's final moments: completely unpredictable.

6. TWO LOVERS

This film reminds me of the great dramas from the 1970s (The Panic in Needle Park, Fat City). Small, simple, great acting. Hopefully Joaquin will snap out of it, he puts on a clinic in this film.

5. (500) DAYS OF SUMMER

My guilty pleasure of the year. At times, it rings as true as any film about love and heart break. At other times, it's a cliche ridden as your typical studio film. But by any measure, it's the best romantic comedy of the decade.

4. GOODBYE SOLO

Ramin Bahrani is slowly becoming one of my favorite contemporary film directors. After MAN PUSH CART and CHOP SHOP, he once again tops himself, giving us two original characters you'll most likely never see in any other film.

3. THE HURT LOCKER

I wish I could reedit the final 5 minutes. Having said that, this is the best war movie I've seen in quite sometime. Actually, it's less about war and more about the men doing work. There really isn't a story here, there's no antagonist, just these three characters doing their job.

2. WHERE THE WILD THINGS ARE

First things first: this is probably the most polarizing film of the year. I realize that a lot of people didn't like it, and that's fine, it's their loss. But, me, I was literally moved to tears. Hands down one of the most honest portrayals of childhood emotion I've seen on screen maybe ever.

1. A SERIOUS MAN

It's a work of comic genius. The most existential film from the Coens since BARTON FINK. It's about trying to make sense of life, as futile as that may be. Bottom line: the best ending to a film this year. Also, it's something I thought I'd never see from the Coens: a deeply personal film.

Honorable Mentions: Food, Inc., The Brothers Bloom, Up, The Girlfriend Experience, Up In The Air, The Hangover, Humpday, The Road, the first half of Antichrist.

Overrated: Inglorious Basterds, Precious, Drag Me To Hell, An Education, District 9

Worst films I saw this year: Away We Go, Gigantic, The Goods, Terminator Salvation

Haven't Seen Yet: Broken Embraces, A Single Man, Anvil!, Fantastic Mr. Fox, Brothers, Crazy Heart

Merry New Year!

Today we wrap up the year in movies with our ‘Best of ‘09′ Show, Once again I find myself not having seen as much as I would like, but I still would not count 2009 as a particularly strong year for film. Of the best movies I’ve seen, I can really only think of one or two that I would classify as best of the year material. Anyway if you have any suggestions for us, please let us know at doomsdaypodcast@gmail.com, or leave a comment below. Also, if you have the time please leave us positive feedback at iTunes like Jerf and Cody have done. If the player below doesn't work you can go here to find it as well. Thanks, and we’ll see you next year.

Powered by Podbean.com

a late Christmas gift for our listeners

Yes, I know Christmas is over but here at ‘’The Doomsday Machine” we like to take our time and get things right. So in the spirit of the holidays, and in keeping our subject matter a little more timely, we present you with some of our favorite Christmas movies. We recorded this 5 days ago when Cody was in town. Joining him are myself, Matt, Tim and AJ. Tell us what you think at doomsdaypodcast@gmail.com or leave feedback here. If you can't get the player below to work you can find it on iTunes as well as http://joker5k.podbean.com. Thanks for listening.

Powered by Podbean.com

Cody's Film Review: Up In The Air

I really enjoyed this film but it was nothing groundbreaking or too original. Of course George Clooney can make anything watchable, but his character is nothing he hasn’t done in the past. The story is a good one and really does strike a cord with anyone who has been affected with the present state of the economy. All of the acting is good, but the relationship between Clooney and Vera Farmiga was what I enjoyed the most. They play off each other very well and I was geniuinly interested in them ending up together in the end. The weakness of the film was the Backpack motivation speech Clooney’s character was pushing, I thought it was a weak idea and it never convinced me in any way that it was a real idea that would sale. I thought Clooney’s character was solid and the viewer doesn’t need the backpack theory to support his ideals. I liked Anna Kendrick, but her idea of termination via the internet instead of in person is not very revolutionary, and thought it was a idea that would have been toyed with 8 years earlier. Luckily these two plot points don’t drive the entire film, but there was enough to bother me. Up In The Air did follow a few clichés, especially at the end that made it a little predictable, but I did like how the movie ended. I enjoyed how Clooney’s character had some strong belief’s and goals and happy with his life and set in his ways. As soon as he begins to question his lifestyle he gets everything he ever wanted, and it's not enough. He now must continue with the way things were and it ends up tragic. I thought it took some guts to end the film the way it did and do recommend it. It’s a good movie, but think it getting too much attention as a great film, which it isn’t. Clooney floats this boat with a strong supporting cast and Jason Reitman is proving he is a good director with a bright future. If a great script drops in his lap he has the potential to make a great film. 3.5 out of 5 stars

See It! The Room

In the tradition of Kickboxing Academy, Superfuzz, and Dreaming Of Society comes another great horrible movie. The Room is so bad that it's good. The characters are inconsistent, the acting is bush league, and the creator of this mess, Tommy Wiseau, is a untalented genius. This type of film only works if the writer/star/director is sincere, because if done on purpose it becomes one of those douche bag spoof films. This film has it all, huge plot holes, story lines that go nowhere, and every character has a bipolar disorder. Every scene with Wiseau is comedy gold. His creepy look,dubbed accent, and acting will have you laughing out loud. Wiseau is so inept as a filmmaker that this piece of crap somehow cost 6 million dollars, and believe me it doesn't show in any way. This film has had a huge cult following with Rocky Horror results. If The Room shows at a midnight showing near you, then do yourself a favor and see it. The DVD has a lot of funny extras and be sure to see it with a friend.

Happy Thanksgiving!

There are only a handful of good Thanksgiving films, because Christmas has a monopoly on the holidays. The Ice Storm, The House Of Yes, and Avalon are some of the top tier films about the food filled celebration. Those films are about dysfunctional families, generational differences, and changing traditions. Only one film really represents that Thanksgiving feeling and that is Planes,Trains, and Automobiles. John Hughes 1987 classic is the one film that if you ask what is a Thanksgiving Movie, 90% of people think of this film. Instead of the barrage of Christmas features on Thanksgiving weekend, Planes, Trains, and Automobiles should be showing somewhere on a constant loop. Happy Thanksgiving!

Cody's Film Review: Fantastic Mr.Fox

I did not share the same excitement for Fantastic Mr. Fox that I did for Where The Wild Things Are. I loved the idea of Spike Jones doing a live action children's story, and passive about Wes Anderson doing a stop motion animation film. I am a fan of Wes Anderson and I thought he was wasting his time with a medium that he does not have much control over as a director. I was wrong, Fantastic Mr. Fox has Anderson's fingerprints all over it and is one of the years most enjoyable films. It joins Pixar's Up as a one of those rare films that is enjoyable to children and adults alike. There are stories that Anderson was absent during production and running the show from his flat in Paris,well that didn't seem to matter. Anderson and Noah Baumbach's script is clever and funny, and it seems he stayed out of the art departments way and let them make this beautiful film. This film's animation isn't as smooth as Henry Selick's (Coriline/ A Nightmare Before Christmas) stop motion animation, but Mark Gustafson's work has throwback quality that seems more artistic and real.(Thanks Scott)  It has what was missing from Where The Wild Things Are, great likable characters and fun. For some reason the celebrity voices didn't bother me like they do in other animation films. I was so caught up in the story and enjoyed the characters so much that I just didn't care,but also the casting fit the characters. Clooney's voice screams of class and leadership, Streep's of elegance, and Schwartzman is perfect as the highly imaginative son who doesn't have his father's charisma. Great score by Alexandre Desplat's that mixes beautifully with songs by Burl Ives, Jarvis Cocker, and The Beach Boys. Fantastic Mr. Fox isn't groundbreaking, it's just a delight to watch and makes you feel like a kid again. 4 out of 5 stars.