Monday, August 31, 2009
District 9 is Alien Nation(1988) meets The Fly(1986), except not as good as those films. An interesting story with very good SFX,but has too many holes. The movie has a lot of gore and as a viewer I felt very dirty,which I applaud the filmmakers for my uncomfortableness. The problem I had was the lead actor,although he did a good job I never cared about him. I found myself more invested in the aliens and wanted more of them.The entire film is shot in two styles, documentary and a CNN type broadcast.I would have preferred the documentary style through the whole film. I wanted the story to be told through facts instead of through helicopter cameras.The first half was thoughtful and had my attention, by the second half the cliches set in and so did the plot holes.**SPOILERS** It never explains why alien fuel turns humans into aliens. The viewer was also left in the dark at why some aliens were smart and some were animalistic,or were they,I don't know it never says.I was perplexed at why the aliens didn't use their weaponry to stop the humans from pushing them around. They are a militaristic race,why do they allow people to enslave them and push them around. They still have their weapons,and two aliens alone take out a building and a whole platoon of humans.The main human character (Copley) is a spineless company man and his character is unlikable and all over the place. One minute he double crosses the one thing in the world trying to help him and the next he sacrifices everything to save him and his son. The villains are one dimensional and cartoonish and by the end I really didn't care and was just waiting for them to get theirs. By the end I was just thinking how Alien Nation was a better film and that the term "Slag" was replaced by "Prawns" and rotten milk was replaced by cat food. It's not a bad film it just falls apart at the end and could have been something special. 3 out 5 stars
Friday, August 7, 2009
Fuckin A. Not sure what the haters are all about with this. This could be Apatow’s Reds. Ambitious, confessional, messy as fuck, sincere and direct in a way that no $60 million Adam Sandler flick has any right to be--not to mention paced with the digressive, unhurried rhythm of a motherfucking Eric Rohmer movie--and with a ballsy 2nd gear shift that rivals both Roller Boogie & L’Avventura, this is the kind of movie James L. Brooks has been trying to nail his whole career.
Saturday, August 1, 2009
I know I teased a Martin Scorcese show, but we felt it best to put the top 5 lists on hold and talk about something else.
Last year, 'Slumdog Millionaire' won best picture, but people will remember it more for winning eight oscars. It isn't enough for the academy to award a film for its merits in their respectful categories, but more than ever it seems that quantity defines the films relevance. Earlier this summer, the academy announced they would be expanding the number of best picture nominees from 5 to 10. To me, this move speaks in the same concieted voice as was racking up the awards for the academy's obvious favorite a year ago.
Phillip Renke joins us from Austin. Cody and Scott are in NYC as we have the first all-Skype episode. Yeah, Cody and Scott are in the same room but you get the point.
As always, you can email the show at firstname.lastname@example.org.