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Friday, December 10, 2010

R.I.P. Leslie Nielsen/ Irvin Kershner (podcast)

The weekend of Nov. 27-28 2010, brought about a massive one-two punch to our childhood memories with the passing of two men who forever affected our movie-watching careers. Tonight we remember Leslie Nielsen and Irvin Kershner.




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Monday, November 29, 2010

The Social Network (Podcast)

We finally found the time to gather together and discuss another one of the most important films of 2010. Fight through the shitty audio with us and join in the discussion. Enjoy.



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Tuesday, November 9, 2010

Cody's Film Review: The Social Network

One of the best films of the year and defiantly some of the best acting. I was really looking forward to this film because Fincher does a personal pic then a studio pic, and after Benjamin Button (2008) it was time for him to really care about a project. I also have a weakness for films based on true stories in contemporary times, like Shattered Glass (2003). I know this film is a dressed up version of the real thing, but it was realistic and enjoyable. The film represents how business is done today in the fast paced .com industry. Companies are based on fads and software, and are in and out of fashion so fast that Napster seems like a company that existed 30 years ago. The savvy businessman is out the window and young anti social misfits like Zuckerberg are in charge and they come across as cold and deceptive. Are they really bad or just inexperienced nerds thrown into the forefront of a multimillion dollar companies who can't interact with other people? I think David Fincher and Aaron Sorkin bring all of these points to the table and this film will be a time capsule of business in the 2000's, just like Wall Street (1987) was to the 80's. Fincher is also king of how to properly use CGI. He has fun with it wants to fool the audience of it's existence, which is what SFX are supposed to be used for. Great music, smart Sorkin script, and fine directing and acting all around. 4 out 5 stars.

Saturday, October 9, 2010

Overlooked and Underrated: Let it Ride (1989)



I got excited last weekend about the time Disney released Secretariat. Not for the film itself, but upon seeing the TV ads that had run the previous weeks, I ordered a copy of an overlooked comedy about horse racing from the late 80's that I happened to catch on HBO one summer in my teenage years....and my DVD finally arrived. Let it Ride stars Richard Dreyfuss as Jay Trotter, a man trying to break his gambling habits in order to save his marriage only to then have a sure bet fall in his lap. The quick-witted screenplay and brilliant casting makes for a very funny, quirky and enjoyable film. Screenwriter Nancy Dowd and first-time feature director Joe Pytka do a great job of capturing the setting of the racetrack as well as the mindset of the everyday bettor. Dreyfuss once again delivers a comedic performance on the money, but the real jewels of this movie are the side characters. David Johansen is hilarious as Trotter's best friend and biggest loser of the group of riff-raff they hang around the track with. Teri Garr was a great choice to play his wife who is used to having her heart broken time after time. Jennifer Tilly plays her trademark dim-witted character, this time with more sex-appeal, and many other recognizable faces pop up as well, like Allen Garfield, Robbie Coltrain, Cynthia Nixon, Tony Longo, and Richard Dimitri (Roman Maroni from Johnny Dangerously) just to name a few. Richard Edson, the garage attendant from Ferris Bueller has all of eight lines and is one of the funniest people in the movie. These days, a story with this many characters would have the director trying to shoehorn in equal screen time for a bunch of egos, but this one gets it right and gives the viewer no more than they need. A collaborative effort between writing, performance and editing generates a comedy with a good pace, and it all wraps up in a tidy 90-minute package. There aren't many copies out there but getting hold of one is well worth the effort.

Tuesday, September 14, 2010

Podcast: Best Films of the Decade (pt. 3 of 3)







We conclude our “Best of the Decade” talk with the top 10 lists of Matt Fickel, Cody Franklin, and Jeff Ayala. Will Fickel put “Tetro” on his list? Will there be a ‘Shotgun Stories’ in Jerf’s future? How many more times does ‘There Will Be Blood’ Appear? Tim Sigur makes an appearance by email and our own beloved Reverend Renke delivers a spiritual message to us after the discussion, so besure and stay tuned all the way through. Enjoy.






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Monday, August 30, 2010

Podcast: Best Films of the Decade (pt. 2 of 3)



The roundtable discussion continues with the "best of" lists offered by Hal Duncan, Eric Meisner and Scott Griffin. Rounding out the table are Cody Franklin, Matt Fickel, and Jeff Ayala. Even though Phillip is not here in this episode, he does manage to make an appearance. Enjoy.

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Sunday, August 22, 2010

Podcast: Best Films of the Decade (pt. 1 of 3)


And so it comes to this. After weeks of studying, viewing and ranking, the members of "The Doomsday Machine" have put together their own top ten films of the decade lists and have gathered once again to educate the rest of the world on what they should be watching. Up first is our good friend Phillip Renke, who gets an entire hour devoted to him because he found time in his busy schedule to drive up from Austin just to hang out with us for one night. Enjoy.

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Thursday, August 12, 2010

John Hughes remembered (podcast)


Last week marked the one year anniversary of the passing of John Hughes. This podcast was recorded shortly after his death in August 2009. At first I was doubtful that it would see the light of day due to the unforseen technical frustrations of having sixpeople online simultaniously, but after many hours in the editing room, we we're able to piece something together and pay tribute to a man who has carved out a
special place in all of our hearts.



















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Monday, August 9, 2010

R.I.P. Patricia Neal


Patricia Neal was never a huge Hollywood Starlet, just one of the better actresses of her generation. Neal had a commanding voice with a no nonsense face that lead to her playing strong women who were in control. She had a long career (1949-2009) with some serious health issues that hindered her from having a great second half of a career. Neal also had a successful TV career, but I want to concentrate on a couple of classic films that everyone should see. The Fountainhead(1949) with Gary Cooper was her first film, and she holds her own with Coop. Based on the famous Ayn Rand book, it is a enjoyable film that lead to a torrid affair between her and Cooper. In The Day The Earth Stood Still(1951) Neal plays a mother who finds out her house guest is a alien. One of the greatest Sci Fi films of all time, Neal is easily the best actor in the film. A Face In The Crowd(1957) she gives a flawless performance as a radio reporter who discovers drunk Lonesome Rhodes(Andy Griffith's best role) and turns him into a Superstar. This film is a must see and works better today then it did in '57. This is Andy Griffith's film, but Neal is the most human element in the movie and she is who you connect with. Patricia Neal's best performance and one of my favorite films of all time is Hud(1963). In a film where legends like Melvyn Douglas and Paul Newman give one of their best performances, she still stands out. Neal was so prominent in this film she won a Best Actress Oscar for a supporting role. As a viewer you fall in love with her, and eventually these affections cause you to turn on Hud, then forgive him as she does. A couple of years after Hud she had three strokes at the age of forty,and had to learn how to walk and talk again. This set back forced her to turn down roles that could have made her more well known today. The most noteable was the role as Mrs. Robinson from The Graduate (1967). Patricia Neal died of lung cancer at the age of 84.

Tuesday, August 3, 2010

The Inception debate (podcast)


It looks like Inception is receiving more controversy than it deserves, not so much over the content of the movie, but of its seemingly overrated status by the fanboys. Some of us feel like the audiences of today have forgotten what good cinema used to be like, while others feel that Christopher Nolan has broken the mold and reinvented the motion picture. There is absolutely no one in this argument that thinks the film or the filmmaker is lacking in quality or skill. Inception is a perfect balance between every technical and aesthetic element that makes a good movie, and Nolan is without a doubt one of the best directors working today. However, the topic at hand has summoned an emergency meeting of war room officials and now we invite you to join the debate.

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