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Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Thursday, July 28, 2011

The Tree of Life (Podcast)




The most anticipated film of not only this year, but the last two as well, is Terrence Malick's Tree of Life. Filmed in 2008 and held out of theaters with distribution problems, we have waited at the opportunity for a mere glimpse of it. Finally, after adverse festival reactions and mainly positive reviews we can now see it for ourselves. One thing is for sure, love it or hate it, it will have a place for discussion amongst this round table for years to come.



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Thursday, April 14, 2011

R.I.P. Sidney Lumet (podcast)



Sidney Lumet passed away Saturday Apr. 9 and on this day we pay tribute to one of the great American Filmmakers. Below is Cody's must see list of Lumet films:


Q&A (1990)
Running on Empty (1988)
The Verdict (1982)
Deathtrap (1982)
Prince of the City (1981)
Network (1976)*
Dog Day Afternoon (1975)*
Murder on the Orient Express (1974)
Serpico (1973)
The Offence (1972)
The Anderson Tapes (1971)
The Hill (1965)*
Fail-Safe (1964)
The Pawnbroker (1964)
Long Day's Journey into night (1962)
12 Angry Men (1957)*

*personal favorite




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Wednesday, February 23, 2011

2010 - The Best of the Rest

In the previous episode we covered the academy's favorites of 2010. Continuing that discussion brings us to our personal favorites and other notables of last year.





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Friday, December 10, 2010

R.I.P. Leslie Nielsen/ Irvin Kershner (podcast)

The weekend of Nov. 27-28 2010, brought about a massive one-two punch to our childhood memories with the passing of two men who forever affected our movie-watching careers. Tonight we remember Leslie Nielsen and Irvin Kershner.




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Monday, November 29, 2010

The Social Network (Podcast)

We finally found the time to gather together and discuss another one of the most important films of 2010. Fight through the shitty audio with us and join in the discussion. Enjoy.



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Tuesday, September 14, 2010

Podcast: Best Films of the Decade (pt. 3 of 3)







We conclude our “Best of the Decade” talk with the top 10 lists of Matt Fickel, Cody Franklin, and Jeff Ayala. Will Fickel put “Tetro” on his list? Will there be a ‘Shotgun Stories’ in Jerf’s future? How many more times does ‘There Will Be Blood’ Appear? Tim Sigur makes an appearance by email and our own beloved Reverend Renke delivers a spiritual message to us after the discussion, so besure and stay tuned all the way through. Enjoy.






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Monday, August 30, 2010

Podcast: Best Films of the Decade (pt. 2 of 3)



The roundtable discussion continues with the "best of" lists offered by Hal Duncan, Eric Meisner and Scott Griffin. Rounding out the table are Cody Franklin, Matt Fickel, and Jeff Ayala. Even though Phillip is not here in this episode, he does manage to make an appearance. Enjoy.

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Thursday, August 12, 2010

John Hughes remembered (podcast)


Last week marked the one year anniversary of the passing of John Hughes. This podcast was recorded shortly after his death in August 2009. At first I was doubtful that it would see the light of day due to the unforseen technical frustrations of having sixpeople online simultaniously, but after many hours in the editing room, we we're able to piece something together and pay tribute to a man who has carved out a
special place in all of our hearts.



















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Tuesday, August 3, 2010

The Inception debate (podcast)


It looks like Inception is receiving more controversy than it deserves, not so much over the content of the movie, but of its seemingly overrated status by the fanboys. Some of us feel like the audiences of today have forgotten what good cinema used to be like, while others feel that Christopher Nolan has broken the mold and reinvented the motion picture. There is absolutely no one in this argument that thinks the film or the filmmaker is lacking in quality or skill. Inception is a perfect balance between every technical and aesthetic element that makes a good movie, and Nolan is without a doubt one of the best directors working today. However, the topic at hand has summoned an emergency meeting of war room officials and now we invite you to join the debate.

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Friday, July 30, 2010

The Chick Flick Invasion (Podcast)


As early as the 1960's, the major television networks were airing “made for TV” movies on a regular basis. Filmmakers and audiences together created a market for that bridge between the movie theater and your living room. Ever since then that market has grown and even splintered into (sort of) sub-genres of low production value films. Over the years, the Lifetime television network realized the potential for consistent viewership simply by airing these movies and eventually producing them. In a way the network has almost created it's own niche in the made for TV world as we often refer to these films as “Lifetime movies.”

In the same way we enjoy disastrous charms such as “Kickboxing Academy” and “Samurai Cop,” we've all been subject to, and highly enjoyed, the highly dramatized, poorly acted works that have found a home on the Lifetime network. Sisters for Lifetime is a blog that celebrates these treasures we have grown up with over the years. Recently, one of the founders of SFL stopped by the Doomsday studio to talk about her new site and it sparked a conversation about not just Lifetime movies, but chick-flicks and guilty pleasures of all types. Enjoy.

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Read my review of the Lifetime move Cradle of Lies on Sisters for Lifetime (under my female pseudonym).


Monday, July 26, 2010

Sleep on it


Within the last decade, there has been a tectonic shift in the quality of filmed storytelling. The film business has always been just that, a business, I get it, but there have always been writers/directors/producers who have had passion for the medium and always wanted to create a true art form. Now, for the most part these people have found a larger home in the one place we (the film snobs of the world) have always considered a second-rate medium, television. This shift has left much more to be desired when we go to the theater, because most of the films released today are aimed at thirteen-year-olds. It seems that literally, once in a blue moon we are treated to a carefully crafted story, rather than the usual carefully marketed product.
That elusive moon has risen with the release of Inception. Christopher Nolan and company have, once again, produced nothing short of a quality film. Nolan is one of the coveted few whose attention to detail yeilds not only great stories, but brilliant looking images, especially in the special effects department. We, as an audience, have grown accustomed to watching entire scenes built in a computer and it's a breath of fresh air to see a filmmaker use gimbals and wires rather than a team of CG artists for once. I can only hope the success of his last two films can only inspire the studio system to bring a few more technically savvy and thought-provoking stories to the table more frequently.
I do get a little concerned sometimes when a movie of this caliber is released. Not for the film itself, but for the audience. I feel like sometimes our cinematic blue balls are aching so much for quality, that when we finally see it, our pants explode. I've heard a little too much talk over the past couple of years about certain films being amongst “the best of all time.” Don't get me wrong, I'm not saying they're bad, I'm just suggesting you give it some time before making that decision and let it digest for a few months. Even if you saw it nine times on opening weekend, good for you, you're a winner, but come see me next year when you've had time to examine it for yourself and not see it just for the sake of bragging rights. Inception is a very good film, but not a perfect, 10 out of 10. Best of the year? Sure.....so far. Amongst the best of all time? Ask me next summer.

Tuesday, June 29, 2010

Pardon my french, but you're an asshole! (Podcast)


Johnny Lawrence, Chaz Ozborne and Greg Tolin....Three 80s-era villains all brilliantly portrayed by a man whose face should be on the "mount rushmore" of 1980s antagonists. When asked who their favorite bad guys are of that decade most people will undoubtedly picture William Zabka. Proven to be a successful style of character in comedy as well as drama, the preppy blond asshole became a staple duringa time in which comedies thrived. Eventually morphing into other physical characteristics, one character trait remained consisted throughout the 80s and our favorite nemeses became popular amongst us at "The Doomsday Machine" for one reason....They were all dicks.












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Saturday, June 12, 2010

Kings of the World (podcast)


After a four month spring break, we find ourselves in preparation for the “Best of the Decade podcast” and in doing so we need to finish putting out shows from the 2009 sessions. Hal and Matt are honored once again by the personal appearance of Scott Griffin all the way from Brooklyn, while Cody has to sit in a room all by himself and talk to us over Skype.

I think it’s very rare for most of us on the show to go out to see a movie just because a certain actor/actress is in starring in it. Personally, I get annoyed when someone asks if I’m going to see a movie like “Valentine’s Day” and when I stop laughing their response is something like, “But I thought you liked Bradley Cooper?” And that usually leads to some argument in which I wind up being called a snob. We do get excited however, in that rare instance that an actor has a streak in which he/she can do no wrong when it comes to picking their work. In this episode we discuss a handful of those actors that may peak our interests a little more when we hear their names these days.

Click the player below to listen or subscribe on iTunes. You can also get it on Podbean. Feel free to email us anytime at doomsdaypodcast@gmail.com.




Wednesday, July 8, 2009

The Doomsday Machine: Episode 6


Bullet time, Shaky-Cam, the double-reverse twist ending…what other movie trends are you sick of? How about the creepy little kid that has appeared in every horror movie since ‘The Shining?’ Or the whacky/funny/off-the-wall best friend that is fabricated into every romantic comedy? What techniques need to be retired? Well, Scott Griffin has come all the way from NYC to discuss this very issue. After seeing ‘Watchmen,’ I think he’s had enough action scenes with intermittent slow motion speed ramping. The technique made popular ten years ago by ‘The Matrix’ is now a staple in action films and it has overstayed its welcome. Join us on this mind blowing adventure as we Skype in Cody from New York. Enjoy.

Friday, June 12, 2009

15 years ago today Officer Nordberg dissappeared from films.

15 years ago today O.J. killed Nicole Brown Simpson and Ron Goldman. I was a O.J. fan growing up with The Towering Inferno, Capricorn One, and the HBO series 1st and Ten. It was his character Officer Nordberg in the Naked Gun Trilogy that made me love him. I was shocked, like everyone else, when the murders happened and then convinced of his guilt with his getaway in the Ford Bronco. I even skipped class to see the results of his trial. It's hard to believe that it's been 15 years and although I still enjoy Nordberg in the Naked Gun films today,there is always a hint of sadness and anger when you see O.J. on screen.

Monday, May 11, 2009

Cody Film Review: Star Trek

I'm gonna try not to step on Hal's toes here, but their will be some repeating. First of all I did enjoy this movie, it's a good summer movie. Star Trek is full of action, has a great cast, and is a lot of fun. The problem is I am a greedy person who always wants more. The main problem I had with the film was what is the bloody hurry? This movie didn't have to have the whole gang in their positions by the end of the movie so we are all comfortable. I didn't need to see Sulu and Chekov sitting where they always sit performing the duties they will do for the next 30 years. Obviously it hard to get a promotion on the Enterprise. Uhura(Zoe Saldana) was the only original series secondary character I felt was good in this film. Her moments with Spock were some of the best scenes in the movie. I have always felt that Star Trek is about Kirk, Spock and McCoy and the rest of the cast is just window dressings. J.J. Abrams cast three good leads(Pine,Quinto,and Urban) with great chemistry. I wanted more interaction at the Academy with friendship development than wall to wall battle scenes. It would have been great to see more Captain Pike(Bruce Greenwood) as a mentor to Kirk. He was used more as a stepping stone for Kirk to get to the Captain's seat. I really liked the story and I thought it was a clever way to reboot the series by throwing away the past we are all used to. That being said I did think the movie was predictable and followed a formula. Unlike Hal I did enjoy future Spock. The scenes between Nimoy and Kirk and young Spock are great scenes. I knew there would be a few tongue and cheek jokes,but I was hoping Abrams would take this reboot a little more serious. I thought it was a mistake to start McCoy off so strong then have him do nothing but stupid quotes from movies past for the second half of the film. I like Simon Pegg, but he annoyed the hell out of me as Scotty. Every scene he is in he's cracking jokes and providing comic relief. Star Trek is a Sci-Fi action film and I really didn't go see this film to laugh or bond with nerds. Overall it's a great summer blockbuster, but just a good movie that could have been so much more. 3.5 out of 5 stars

Sunday, May 10, 2009

Reinvention and Revival

(Spoilers ahead) I've been a 'Star Trek' fan for many years now, and have been cautiously optimistic about this weekend's release. After my first viewing, I would have to classify it somewhere between “OK” and “Good”, but let's begin with the bad. Scott, you were right about one thing, and somewhere in the back of my mind I knew everyone would to use their catch phrases at least once in the film, but I was hoping they wouldn't overdo it. Yes, it did happen, but it wasn't obscene. Now hearing McCoy ask Spock if he was “out of his Vulcan mind” annoyed me because we have already heard this line uttered in 'Star Trek II' (One of many parallels I feel the filmmakers tried to force in this movie). So that aside, I guess I can live with the other obligatory phrases, even though they did make me twitch with frustration.


Another element that irritates me happens with about 90% of major films released these days, and that is the lack of development. No one takes their time anymore in developing characters and scenes. This could have been the perfect movie to introduce and develop every character in their respective elements. This is a story of origins and should have been allowed to take it's time. They could have concentrated more on the Starfleet days and had them all wind up serving on the ship in the end and guess what...It would have been great....but no, we've got to get to the action as fast as we can, plus we've got some CG to show off. But, as my experience watching movies has taught me, this was also to be expected, so I fight through it and take out what's left for me.

Perhaps the biggest offender of this movie, though, and the one I will not accept as having had to be there, was the casting of Leonard Nimoy as “future Spock”. This in no way gave any credibility to the story, nor did it make any sense. It's so forced that they couldn't even give a better reason for present day Kirk bumping into him on a remote planet by accident. Guest appearances are something that should be reserved for the series only. Hell, 'The Next Generation' featured almost all the original cast at one point or another. But for the movies, I think we should be able to rise above the mere charm of having an original cast member in it. If you have to put Nimoy in the movie, why not cast him as Sarek?

OK, so what was good about it? First of all, I think the entire cast was stellar. I was really pleased by everyones performances, especially since we weren't subjected to two hours of straight character impressions. Karl Urban came close with his Dr. McCoy, but I actually found him to be a pleasant surprise in this movie and thought he did a great job. I thought Chris Pine was excellent and delivered a young Kirk as well as anyone could. As far as the actual characters, I felt Sulu and Checkov were the weakest. They were just kind of there for the sake of introducing us to the rest of the regular cast. Sorry, we're focusing on the positive now so I won't get into Checkov not even being in the first season.

Overall, I have to say the story was pretty damn good. The “future Spock” element aside, I never found myself shaking my head in disappointment, which has become habit for me after virtually all of the “Next Generation” movies. In fact, there was a point for me after the destruction of Vulcan and the death of Spock's mother that I almost was in disbelief. Why were they re-writing our beloved Star Trek history? And then it made sense, the story itself was re-writing history and doing it effectively. It was a brilliant way to weave a new story into old fabric and therefore reinvent the saga. It worked. Although, I could have done without the “Back to the Future” explanation of timelines to the audience. I sometimes cringe at using a word like “fun” to describe a movie, but I did have a lot of fun with this one and would like to see it again. Could it have been better? Absolutely. But since the bar for Star Trek movies has been lowered so much over the years, it was nice to see one that delivered a story worthy of being a full length movie and not just a glorified, two-hour episode.

Wednesday, April 22, 2009

R.I.P. Jack Cardiff

One of the best cinematographers in film history died today. Jack Cardiff was arguably the best color cinematographer of the 40's and 50's. His groundbreaking work in the days of early color photography is still breathtaking and unmatched. Cardiff started out as a actor during the Silent Era and then worked his way from Clapper Boy to Cinematographer. He was a Camera Operator on Michael Powell and Emeric Pressburger's The Life and Death Of Colonel Blimp(1943). They were so impressed by him that they hired him to photograph their next three films and his best work. Powell, Pressburger, and Cardiff all collaborated on Stairway To Heaven:A Matter Of Life And Death(1946), Black Narcissus(1947), and The Red Shoes(1948). These films are masterpieces all around and probably the best looking films of the decade. The Red Shoes is one of my favorite films of all time. Cardiff left England and went to America after The Red Shoes and worked on beautiful films like The African Queen(1951), The Magic Box(1952), The Barefoot Contessa(1954) and War and Peace(1956). In the late 50's he turned to directing with Sons and Lovers(1960) being his biggest success. He returned to Cinematography in the mid 70's and worked until 2007. Jack Cardiff won a Academy Award for Best Cinematographer in 1948 for Black Narcissus and was nominated 3 other times including one for Best Director. In 2001 Cardiff received a Honorary Oscar for his achievements, he was 94. Below is a film still from Black Narcissus.

Saturday, March 7, 2009

10 Year Anniversary Of A World Without Stanley Kubrick.


Today is the 10th anniversary of the death of the best filmmaker in movie history. Stanley Kubrick is the one true genius of cinema. Everyone of his films are original, smart and bare his distinct mark. Even Kubrick's conventional films turn into his vision that no other filmmaker could possibly imagine. Stanley Kubrick was groundbreaking technically, visually, and with his subject matter. He wanted his audience to think and for this reason most of his films took time to be appreciated by general audiences. We are lucky to have had such a man in the film industry for so long and it is unfortunate that he died at the age of 70 still way ahead of his contemporaries. It would have been great to see what he could have done with another 10 years with today's technology.

These pictures are from Dr.Strangelove, my favorite Stanley Kubrick film. What's yours?

Friday, March 6, 2009

Film Picture of the Week: Friday The 13th Part 1


This is a shot of the Alternate ending of Friday The 13th. In the Alternate ending Jason pops out of the water and ask Alice out to dinner. She accepts and the first six months are glorious, but then he puts a knife through her temple.